2023
Rogers, A. (2023) Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK. GeoHumanities, 1-17. https://doi.org/10.1080/2373566x.2022.2150259
2022
Rogers, A. (2022) Dancers as Diplomats? Quiet diplomacy and post‐conflict geopolitics in the 1990 Cambodian National Dance Company Tour to the U.K.. Transactions of the Institute of British Geographers, https://doi.org/10.1111/tran.12591
Rogers, A. and Moore, S. (2022) The Next Chapter (editorial) cultural geographies 29 (1) 157-158 https://doi.org/10.1177/14744740211058927
Rogers, A. (2022). Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era. GeoHumanities, 8(1), 157-176. https://doi.org/10.1080/2373566x.2021.1977162
2021
Keehan, B. and Rogers, A. (2021) Reflections on ‘Our Place’ cultural geographies. https://doi.org/10.1177/14744740211020508
Rogers, A., Yean, R., Keat, S., Hem, V. and Krolikowska, J. (2021) Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University. Final Project Report (open access, CC licence).
Rogers, A. (2021) ‘Minor Translocalism: Messy and marginal networks in and beyond Singapore. An interview with Tan Suet Lee.’ In Ferrari, R. and Thorpe, A. (eds) Asian City Crossings: Pathways of performance through Hong Kong and Singapore. Abingdon and New York: Routledge.
Rogers, A. (2021) ‘We are at an exciting moment’: An interview with Reaksmey Yean. Check-In (pp. 21-28). Singapore: Art&Market.
2020
Rogers, A. (2020) ‘Contemporary Cambodian Dance and Sites of National Culture: Chumvan Sodhachivy’s YouTube Page.’ In Kong, L. and De Dios, A. (eds) The Geographies of Creativity Handbook. Cheltenham: Edward Elgar Publishing, pp. 217-233.
2019
Rogers, A. (2019) Transforming the National Body: Choreopolitics and disability in contemporary Cambodian dance. cultural geographies. https://doi.org/10.1177/1474474019892000 (Assigned in 2020 to vol 27, pp.527-543).
2018
Rogers, A. (2018) ‘British Chinese Performance in Minor Transnational Perspective.’ In Thorpe, A. and Yeh, D. (eds) Contesting British Chinese Cultures. Basingstoke: Palgrave Macmillan pp. 241-260
Rogers, A. (2018) Advancing the Geographies of the Performing Arts: Intercultural aesthetics, migratory mobility and geopolitics. Progress in Human Geography 42: 549-568.
Featherstone, D., Jones, R., Davies, A., Rogers, A., McConnell, F. (2018) Review Forum: Rehearsing the state: the political practices of the Tibetan Government-in-Exile, Social & Cultural Geography 19: 142-148.
Merriman, P. and Rogers, A. (2018) Bookish Cultural Geographies. Cultural Geographies 25: 239-243.
Robson, C., Rogers, A. and Thorpe, A. (eds) (2018) British East Asian Plays. London: Aurora Metro.
2017
Rogers, A. (2017) Material Migrations of Performance. Area 49: 495-502.
Rogers, A. (2017) Box on ‘Post-conflict tensions in contemporary Cambodian dance.’ In Hawkins, H. (2017) Creativity. Abingdon and New York: Routledge. pp.290-293.
2015
Rogers, A. (2015) Performing Asian Transnationalisms: Theatre, identity and the geographies of performance. Abingdon and New York: Routledge. http://www.routledge.com/books/details/9780415854382/
Rogers, A. (2015) Review of Pedwell, C. (2014) ‘Affective Relations: The transnational politics of empathy’. Basingstoke: Palgrave. Environment and Planning D: Society and Space online. Click here for open access review.
2014
Rogers, A. (2014) Asian Mutations: Yellowface from More Light to the Royal Shakespeare Company’s The Orphan of Zhao in Contemporary Theatre Review 24: 452-466
Rogers, A. and Thorpe, A. (2014) A Controversial Company: Debating the Casting of the Royal Shakespeare Company’s The Orphan of Zhao in Contemporary Theatre Review 24: 428-435 [Editorial for Special Issue]
Rogers, A. and Thorpe, A. (2014) Interview with Hannah Miller (Casting Director) and Kevin Fitzmaurice (Producer) of the RSC. Contemporary Theatre Review 24: 486-493
Rogers, A. and Thorpe, A. (2014). Interview with Daniel York (actor, writer and director) and Anna Chen (broadcaster, journalist, poet and performer). Contemporary Theatre Review 24: 496-503
Rogers, A. (2014) Thinking Through Intercultural Spatialities on Imelda: A New Musical in The Journal of Intercultural Studies 35: 53-73
Rogers, A., Bear, C., Hunt, M., Mills, S. and Sandover, R. (2014) Intervention: The Impact Agenda and Human Geography in UK Higher Education in ACME: An International E-Journal for Critical Geographies 13: 1-9. [Editorial for Special Issue]
2013
Rogers, A. (2013) ‘Performances’ in Cloke, P., Crang, P. and Goodwin, M. eds. Introducing Human Geographies 3rd edition. Abingdon: Hodder Arnold. pp.773-785
2012
Rogers, A. (2012) Geographies of the Performing Arts: Landscapes, Sites and Cities Geography Compass 6: 60-75
Rogers, A. (2012) Emotional Geographies of Method Acting in Asian American Theater Annals of the Association of American Geographers 102: 423-442
2011
Rogers, A. (2011) Butterfly Takes Flight: The translocal circulation of creative practice Social and Cultural Geography 12: 663-683
Rogers, A. (2011) Review of Montelle, Y-P. (2009) ‘Palaeoperformance: The emergence of theatricality as social practice’ India: Seagull. Journal of the Royal Anthropological Institute 17: 398-399
2010
Rogers, A. (2010) The Geographies of Performing Scripted Language Cultural Geographies 17: 353-375
Rogers, A. (2010) The Need for Practical Workshops Area 42: 127-131
Theatrical Geographies 