Rogers, A. (in press) Transforming the National Body: Choreopolitics and disability in contemporary Cambodian dance. cultural geographies.

Rogers, A. (in press) ‘Contemporary Cambodian Dance and Sites of National Culture: Chumvan Sodhachivy’s YouTube Page.’ In Kong, L. and De Dios, A. (eds) The Geographies of Creativity Handbook. Edward Elgar Publishing.

Rogers, A. (in press) ‘Minor Translocalism: Messy and marginal networks in and beyond Singapore. An interview with Tan Suet Lee.’ In Ferrari, R. and Thorpe, A. (eds) Asian City Crossings. Routledge.


I am on maternity leave in 2019.


Rogers, A. (2018) ‘British Chinese Performance in Minor Transnational Perspective.’ In Thorpe, A. and Yeh, D. (eds) Contesting British Chinese Cultures. Basingstoke: Palgrave Macmillan pp. 241-260

Rogers, A. (2018) Advancing the Geographies of the Performing Arts: Intercultural aesthetics, migratory mobility and geopolitics. Progress in Human Geography 42: 549-568.

Featherstone, D., Jones, R., Davies, A., Rogers, A., McConnell, F. (2018) Review Forum: Rehearsing the state: the political practices of the Tibetan Government-in-Exile, Social & Cultural Geography 19: 142-148.

Merriman, P. and Rogers, A. (2018) Bookish Cultural Geographies. Cultural Geographies 25: 239-243.

Robson, C., Rogers, A. and Thorpe, A. (eds) (2018) British East Asian Plays. London: Aurora Metro.


Rogers, A. (2017) Material Migrations of Performance. Area 49: 495-502.

Rogers, A. (2017) Box on ‘Post-conflict tensions in contemporary Cambodian dance.’ In Hawkins, H. (2017) Creativity. Abingdon and New York: Routledge. pp.290-293.


I was on maternity leave in 2015/16.


Rogers, A. (2015) Performing Asian Transnationalisms: Theatre, identity and the geographies of performance. Abingdon and New York: Routledge.

Rogers, A. (2015) Review of Pedwell, C. (2014) ‘Affective Relations: The transnational politics of empathy’. Basingstoke: Palgrave. Environment and Planning D: Society and Space online. Click here for open access review. 


Rogers, A. (2014) Asian Mutations: Yellowface from More Light to the Royal Shakespeare Company’s The Orphan of Zhao in Contemporary Theatre Review 24: 452-466

Rogers, A. and Thorpe, A. (2014) A Controversial Company: Debating the Casting of the Royal Shakespeare Company’s The Orphan of Zhao in Contemporary Theatre Review 24: 428-435 [Editorial for Special Issue]

Rogers, A. and Thorpe, A. (2014) Interview with Hannah Miller (Casting Director) and Kevin Fitzmaurice (Producer) of the RSC. Contemporary Theatre Review 24: 486-493

Rogers, A. and Thorpe, A. (2014). Interview with Daniel York (actor, writer and director) and Anna Chen (broadcaster, journalist, poet and performer). Contemporary Theatre Review 24: 496-503

Rogers, A. (2014) Thinking Through Intercultural Spatialities on Imelda: A New Musical in The Journal of Intercultural Studies 35: 53-73

Rogers, A., Bear, C., Hunt, M., Mills, S. and Sandover, R. (2014) Intervention: The Impact Agenda and Human Geography in UK Higher Education in ACME: An International E-Journal for Critical Geographies 13: 1-9. [Editorial for Special Issue]


Rogers, A. (2013) ‘Performances’ in Cloke, P., Crang, P. and Goodwin, M. eds. Introducing Human Geographies 3rd edition. Abingdon: Hodder Arnold. pp.773-785


Rogers, A. (2012) Geographies of the Performing Arts: Landscapes, Sites and Cities Geography Compass 6: 60-75

Rogers, A. (2012) Emotional Geographies of Method Acting in Asian American Theater Annals of the Association of American Geographers 102: 423-442


Rogers, A. (2011) Butterfly Takes Flight: The translocal circulation of creative practice Social and Cultural Geography 12: 663-683

Rogers, A. (2011) Review of Montelle, Y-P. (2009) ‘Palaeoperformance: The emergence of theatricality as social practice’ India: Seagull. Journal of the Royal Anthropological Institute 17: 398-399


Rogers, A. (2010) The Geographies of Performing Scripted Language Cultural Geographies 17: 353-375

Rogers, A. (2010) The Need for Practical Workshops Area 42: 127-131