Rogers, A. (2023) Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK. GeoHumanities, 1-17.


Rogers, A. (2022) Dancers as Diplomats? Quiet diplomacy and post‐conflict geopolitics in the 1990 Cambodian National Dance Company Tour to the U.K.. Transactions of the Institute of British Geographers

Rogers, A. and Moore, S. (2022) The Next Chapter (editorial) cultural geographies 29 (1) 157-158

Rogers, A. (2022). Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era. GeoHumanities8(1), 157-176.


Keehan, B. and Rogers, A. (2021) Reflections on ‘Our Place’ cultural geographies.

Rogers, A., Yean, R., Keat, S., Hem, V. and Krolikowska, J. (2021) Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University. Final Project Report (open access, CC licence).

Rogers, A. (2021) ‘Minor Translocalism: Messy and marginal networks in and beyond Singapore. An interview with Tan Suet Lee.’ In Ferrari, R. and Thorpe, A. (eds) Asian City Crossings: Pathways of performance through Hong Kong and Singapore. Abingdon and New York: Routledge.

Rogers, A. (2021) ‘We are at an exciting moment’: An interview with Reaksmey Yean. Check-In (pp. 21-28). Singapore: Art&Market.


Rogers, A. (2020) ‘Contemporary Cambodian Dance and Sites of National Culture: Chumvan Sodhachivy’s YouTube Page.’ In Kong, L. and De Dios, A. (eds) The Geographies of Creativity Handbook. Cheltenham: Edward Elgar Publishing, pp. 217-233.


Rogers, A. (2019) Transforming the National Body: Choreopolitics and disability in contemporary Cambodian dance. cultural geographies. (Assigned in 2020 to vol 27, pp.527-543).


Rogers, A. (2018) ‘British Chinese Performance in Minor Transnational Perspective.’ In Thorpe, A. and Yeh, D. (eds) Contesting British Chinese Cultures. Basingstoke: Palgrave Macmillan pp. 241-260

Rogers, A. (2018) Advancing the Geographies of the Performing Arts: Intercultural aesthetics, migratory mobility and geopolitics. Progress in Human Geography 42: 549-568.

Featherstone, D., Jones, R., Davies, A., Rogers, A., McConnell, F. (2018) Review Forum: Rehearsing the state: the political practices of the Tibetan Government-in-Exile, Social & Cultural Geography 19: 142-148.

Merriman, P. and Rogers, A. (2018) Bookish Cultural Geographies. Cultural Geographies 25: 239-243.

Robson, C., Rogers, A. and Thorpe, A. (eds) (2018) British East Asian Plays. London: Aurora Metro.


Rogers, A. (2017) Material Migrations of Performance. Area 49: 495-502.

Rogers, A. (2017) Box on ‘Post-conflict tensions in contemporary Cambodian dance.’ In Hawkins, H. (2017) Creativity. Abingdon and New York: Routledge. pp.290-293.


Rogers, A. (2015) Performing Asian Transnationalisms: Theatre, identity and the geographies of performance. Abingdon and New York: Routledge.

Rogers, A. (2015) Review of Pedwell, C. (2014) ‘Affective Relations: The transnational politics of empathy’. Basingstoke: Palgrave. Environment and Planning D: Society and Space online. Click here for open access review. 


Rogers, A. (2014) Asian Mutations: Yellowface from More Light to the Royal Shakespeare Company’s The Orphan of Zhao in Contemporary Theatre Review 24: 452-466

Rogers, A. and Thorpe, A. (2014) A Controversial Company: Debating the Casting of the Royal Shakespeare Company’s The Orphan of Zhao in Contemporary Theatre Review 24: 428-435 [Editorial for Special Issue]

Rogers, A. and Thorpe, A. (2014) Interview with Hannah Miller (Casting Director) and Kevin Fitzmaurice (Producer) of the RSC. Contemporary Theatre Review 24: 486-493

Rogers, A. and Thorpe, A. (2014). Interview with Daniel York (actor, writer and director) and Anna Chen (broadcaster, journalist, poet and performer). Contemporary Theatre Review 24: 496-503

Rogers, A. (2014) Thinking Through Intercultural Spatialities on Imelda: A New Musical in The Journal of Intercultural Studies 35: 53-73

Rogers, A., Bear, C., Hunt, M., Mills, S. and Sandover, R. (2014) Intervention: The Impact Agenda and Human Geography in UK Higher Education in ACME: An International E-Journal for Critical Geographies 13: 1-9. [Editorial for Special Issue]


Rogers, A. (2013) ‘Performances’ in Cloke, P., Crang, P. and Goodwin, M. eds. Introducing Human Geographies 3rd edition. Abingdon: Hodder Arnold. pp.773-785


Rogers, A. (2012) Geographies of the Performing Arts: Landscapes, Sites and Cities Geography Compass 6: 60-75

Rogers, A. (2012) Emotional Geographies of Method Acting in Asian American Theater Annals of the Association of American Geographers 102: 423-442


Rogers, A. (2011) Butterfly Takes Flight: The translocal circulation of creative practice Social and Cultural Geography 12: 663-683

Rogers, A. (2011) Review of Montelle, Y-P. (2009) ‘Palaeoperformance: The emergence of theatricality as social practice’ India: Seagull. Journal of the Royal Anthropological Institute 17: 398-399


Rogers, A. (2010) The Geographies of Performing Scripted Language Cultural Geographies 17: 353-375

Rogers, A. (2010) The Need for Practical Workshops Area 42: 127-131